Archive for March, 2008

Women’s T-shirts

Posted in Uncategorized with tags , , , , , , , , , on March 26, 2008 by artbizness

OK, I need some help here please – a quick straw poll.

I’m looking into different t-shirt styles for the chess-piece designs for women. What sort of t-shirts do women like to wear? Do you like:

a) the racer-back vest style like this:

b) a strappy top like this:

c) or one like this:

or d), none of the above.

e) something else entirely (please describe!)

What do you reckon?

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Just got back from =SPICO= Private View

Posted in art, Shows I've reviewed with tags , , , , , , , , , , , on March 21, 2008 by artbizness

…and a great night it was. He’s put a lot of work into the show and it’s paid off. I’ve always loved Nic’s cartoony/street art characters. At first glance they look quite cute, but the more time you spend with them, the more unsettling they become – just like good art should be. The images have got a slight manga-y feel to them and are a mixture of painting and collage, some with newspaper, and others with post office stickers. My favourite was the one called “TING” – there’s something about the mania of it, with the gesture of the hand and the word “TING” in large letters that really appeals to me. Stupidly I didn’t get a photograph of it. Although it’s not easy shooting framed works with a camera flash anyways, so perhaps it’s better that I didn’t.

The show contained various small framed works, but the centrepiece of the show is the end wall of the room. It’s taken up with a floor to ceiling mural (in the photo above) that Nic did for a commission, which the owner has thankfully lent back to the artist for the show.

Apparently he’s sold about 5 of the works with another commission in the bag, so the kid done good. It might be worth picking up one or two of these before he takes off, as I really think he has the ability to go far. I wonder if he’ll bater a painting for one of mine..

Also – I had a nice chat with one of the co-owners of the venue, Paul Dungworth. The Fleapit is one of those lovely venues that London is all about – a real find, slightly away from the Hoxton crowd, but still unmistakably Old Street. As well as free Wifi, good food, good art, and good music, they have a great selection of unusual ales, which is right up my street. I had the Power Station Porter beer (never miss a chance to sample Porter beers if you can). I also bought my mate Tim a rather unusual Mexican dark ale. It came in a bottle that was possibly the most phallic I’ve ever witnessed. You’ll have to ask Tim how it tasted.

The show runs from now until 15th of April, so go see.

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=SPICO=

Posted in art, Shows I've reviewed with tags , , , , , , on March 20, 2008 by artbizness

My good friend and co-designer of t-shirts, Nico Yates has managed to get himself a solo show at The Fleapit, a bar/gallery venue in Old Street.

He will be exhibiting under his tag name, “=SPICO=”.

The Private View for his show is tomorrow night and he has asked me to let you all know about it. Not only is his work very good, but he will also be responsible for the music and general ambience of the whole evening at the Private View. During the rest of the show’s duration, you’ll only be able to see the works in the bar area, so for the full =SPICO= experience, you’ll have to be there tomorrow night. It’ll be a great event for all you Londoners who haven’t managed to get away for the Easter weekend.

The venue is The Fleapit in North London (details here.)

Nico’s Flickr Page is here.

He is also one of the artists who exhibited in Beyond The Wilderness.

The show is on from 6pm FRIDAY 21ST MARCH until TUESDAY 15TH APRIL, Private View Friday the 21st March 6pm – 11pm

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Robbie

Posted in Uncategorized with tags , , , , , on March 10, 2008 by artbizness

They called you Robbie.

That wasn’t what I called you back at school.
You had a different tag back then, with friends
and you and I were eight. You played the fool
at my expense in front of all the kids.

I want to hurt you

and now I have the chance. You’ve no idea
how often I returned to your assaults
that time. The sound, the looks, the memory’s clear
from frequent re-rehearsals ever since.

And now we’re older

I stop. Your face has sadness. Looking coolly
you don’t see me. I see your life is written
on your shoulders. A life of being a bully
with humour made you suffer more than I have.

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Perichoresis

Posted in poetry with tags , , , , , , , , , on March 1, 2008 by artbizness

I’ve just submitted my first poem for publishing. It’s going to go in to a theological book, by a friend of mine called Ian Mobsby – the book is called “The Becoming of G-d” and will be published soon.

I’ve read a lot of the book, and it focuses on recovering a better understanding of the Trinity. It gave me the idea for writing a large chunk of the poem in dactyls, which have a kind of ONE-two-three rhythm, which I could then break up with iambs, as the idea of interjection by writing takes hold.

A dactyl consists of three syllables, with the first one being slightly stressed. Some example of where this crops up naturally in the English language are words like “Happiness”, or “Perfectly” you would naturally say “PERfectly” rather than “perFECTly”. Trying to construct an entire poem out of dactyls is a bit of a task, but I think it has some merit. Here it is:

On Friday nights we went to clubs
until we noticed something that
night when the three of them came and took
over the regular dancing. So

Did the Creator throw shapes on the
dance floor whilst dancing a salsa that
turned all the heads of the punters there?

Vogueing away while the other two
scattered. They took up their places but
somehow remaining together there

How the Companion perfected that
fight in a way that was calming them.
Making them friends from thereon until

Now. The Revealer is reveling
showing us all just a little too
much how its done by his lead for us

Dancing together while beckoning onlookers
come on and join us, and have a good
time. Doesn’t matter it’s happening.

Keeping the rhythm up copying
maybe looked easy as no-one would
dare to reject their advances then

in pairs we couldn’t make it work
and groups of us tried sussing out
as individuals put together
were fitting triplets into four time.

We stopped the dancing, getting going
on paper noting down what happened
as dancing disappeared while writing
and scrapping round some bits of paper.

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