Archive for the ‘Uncategorized’ Category

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e e cummings

June 23, 2008

e e cummings

I came across a good poem by e e cummings today.

I’m reading a compilation of his selected poems, and to be honest it’s been heavy going. I like the idea of reading something that is mutilayered, but in his case, it’s possible to have too many options.

As you may have surmised, I wasn’t looking forward to whiling away my journey in his company, but earlier today I read a poem that was so good, it made me feel bad for cussing him on Twitter this morning. I thought I’d share it with you:

hate blows a bubble of despair into
hugeness world system universe and bang
-fear buries a tomorrow under woe
and up comes yesterday most green and young

pleasure and pain are merely surfaces
(one itself showing,itself hiding one)
life’s only true value neither is
love makes the little thickness of the coin

comes here a man would have from madame death
neverless now and without winter spring?
she’ll spin that spirit her own fingers with
and give him nothing(if he should not sing)

how much more than enough for both of us
darling. And if i sing you are my voice,

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Women’s T-shirts

March 26, 2008

OK, I need some help here please - a quick straw poll.

I’m looking into different t-shirt styles for the chess-piece designs for women. What sort of t-shirts do women like to wear? Do you like:

a) the racer-back vest style like this:

b) a strappy top like this:

c) or one like this:

or d), none of the above.

e) something else entirely (please describe!)

What do you reckon?

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Robbie

March 10, 2008

They called you Robbie.

That wasn’t what I called you back at school.
You had a different tag back then, with friends
and you and I were eight. You played the fool
at my expense in front of all the kids.

I want to hurt you

and now I have the chance. You’ve no idea
how often I returned to your assaults
that time. The sound, the looks, the memory’s clear
from frequent re-rehearsals ever since.

And now we’re older

I stop. Your face has sadness. Looking coolly
you don’t see me. I see your life is written
on your shoulders. A life of being a bully
with humour made you suffer more than I have.

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How to light an art show

February 19, 2008

A lot of people have commented to me how good the show looks, and how great the paintings look in their space. One of the great things about the SW1 Gallery where Beyond The Wilderness is showing is that it is properly kitted out with lighting track.

If you’re showing work, then lighting can make all the difference. There’s nothing worse than having a piece of work on the wall that’s stuck in a dingy corner. The piece doesn’t get seen, and the artist gets offended.

The joy of the lighting track is how versatile it is. In this case, the track is made by ERCO. If the piece of art on the wall is not directly under the light, you can slide the button round on the side at the top of the light fitting, pull it out of the track, and move it somewhere better.

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Of course, the fitting itself pivots and tilts, so you can point it right at the work. It can be quite dramatic if you do that, but it does make the work look good.

At the SW1 Gallery, there are two types of light - spots and floods. The floodlighting (in this case the square ones) will light up the whole area that you are pointing it at. It diffuses the light over quite a wide area, so whilst the light is not intensely bright, you can give it a general flood of light that helps.

Spotlights concentrate the light in one particular place, which draws the eye to the work nicely.

If you look at the photo below, you can see how the spotlights light up the work nicely. For bigger works, you would probably want to put a few spotlights on different parts of the work, to make sure it is well lit-up, rather than just have one spot right on the middle.

The other thing about lighting track is that inside the track, there are 3 separate circuits. What this means is that you can basically have some lights on separately to others - and turn them on and off as you please. If you want to light up one side of the gallery one day and turn it off another day and light up the rest, then you can do so. Certain lights can be made to come on when you switch on Track 1, others on Track 2, and the rest on Track 3. You get the idea. To select the light to come on with a certain track, you have to twist the round button near the top which is mark “1″, “2″ and “3″. Easy-peasy.

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In practise, every time I come to do one of these (it doesn’t seem to matter what gallery I work in), the switches seem to bear little or no relation to what tracks light up with which light switches, so you end up experimenting until you work it out!

The only thing you need to be careful of is that you don’t put all the lights on one track, which will overload the circuit.

It took me just over half a day to get it all looking how I wanted - up and down a very tall ladder. Make sure you allow enough time at the end when you’re hanging. Get someone else to sweep the floor/write labels/touch up the wall while you’re doing it.

Have fun!

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Beyond The Wilderness. It’s up and on.

February 13, 2008

I just got back from my own private view, and I am absolutely exhausted.
The night was a triumph, and I was very happy with how it went.

However, although I am too tired to blog it myself, the venerable Jonny Baker has blogged about it already. So (for now) I’ll just send you there:

Lenten journeys

Also - he took some great photos which you can also have a look at here.

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Beyond The Wilderness. Setting Up. Day 1.

February 11, 2008

aaaaaaaargh….

And so it begins. I started hanging the show today.

I forgot what this is like, as its been so long since I last hung a show.

I swear to God, I think sometimes people think the art just sprouts legs, runs to the gallery and leaps on the wall itself, all level and flush with ready-written labels next to each piece.

And they probably think that the works will shuffle themselves about into the right order so that everything can be seen, nothing gets hidden in a dingey corner of the gallery, and wherever you stand in the place, none of the works jar against each other, are too close together or make the other works look bad by comparison.

So, despite a nice start to the day, its been a day of people telling me they can help out, and then not doing so on the day.. People throwing extra work at me last minute, when we we’ve had months to sort it out.. Sorry Mike, I need that now, rather than sometime over the next 3 days like we already agreed… Sorry Mike, I’m not around tomorrow after all.

It would be nice to be able to get to a Private View with energy to spare, and able to talk to all the nice people ready to push the artists and the various events involved with a smile on my face, but HELLLLLLLLLLLLLLLLLLLLLLLL no.

I will be flush faced, sweaty, and un-able to string sentences together, whilst floating around opened bottles of wine, that I won’t be able to partake in because if I do, I will nose-dive after 2 sips. Even though alcohol will be exactly what I need by that point.

No wonder half the artists I know are on the Colombian Marching Powder.

More of the same tomorrow, no doubt…

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Beyond The Wilderness. Work-in-Progress. I call this progress.

February 8, 2008

I have made this part of the work by projecting a photo I took up onto the white canvas I was made earlier this week.

I had to work on the photo image a little bit first - I put it on the laptop, and worked on it with Photoshop to get it to three shades of grey. This gave it the strong graphic image, almost a bit like a screenprint. I then made up the different shades of paint using acrylic paint mixed with cigarette ash and soil.

The soil and ash have added to the tone of the paint, but have also made it really lumpy, making it impossible to paint a straight line, giving it a more organic feel, which is quite nice. You’ll have to see it in the flesh at the private view next week.

I can’t believe it’s only 5 days away!

Here’s the finished painting part:

Stuck in a traffic jam..

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The roof of my studio leaks like a sieve.

January 31, 2008
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Happy Christmas Everyone

December 24, 2007

I tried to write a poem this afternoon whilst shopping in Knightsbridge for my relatives.

The result is pretty dreadful, but hey - It’s Christmas. Even poets can’t be bothered sometimes. Now I’m off for a mince pie.

Have a good one everyone, and thanks for reading.

I’m walking through the nicer part of town
away from home and all my normal cares.
The streets are not too full with handsome people
I take it in, and no-one minds my stares
For once I am happy

The shop assistant doesn’t want to work
on Christmas Eve (he drew the shortest straw)
But doesn’t mind me asking simple questions
A Happy Christmas smile is on his jaw
For once I am happy.

A simple present bought with little fuss
brings all my shopping to an end.
Returning home to make my wife her dinner.
Next year I do the whole shebang again.
For once I am happy.

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Moot Icon Pt. 2

August 30, 2007

Aren't blue LEDs lovely?

Meh heh heh…

Oh yeh.

I did actually put the LEDs on temporarily the last time I was in the studio, but I wanted to surprise you. I’ve taped them on a bit better now - with a lot more of it. Making a feature of the gaffer tape also adds to the feel of it, I think.

Apparently there’s something about twinkling lights that encourages people to spiritual visions. I’m sure that Richard Dawkins would suggest that its all part of the way the human brain has evolved, and that we shouldn’t jump to conclusions about God, yadda yadda… But there you go. It is what it is, and I’m happy to go with it for the moment.

Since I was last in the studio, the black electrician’s tape has come away from the wood a little bit. I’m slightly concerned, as I don’t want this to keep happening every time. It might just be the damp air - my studio has a lot of moisture in the air, which has lead to all sorts of problems in the past - and its impossible to heat it up sufficiently to deal with the problem.

I like the idea that the icon could look like a piece of wood found on a building side - with boot-prints all over it, coffee mug stains, etc. There’s something about the urban-ness of it that suits moot’s ethos. The burntness is part of that. I don’t know how to depict the table, wine-glass or bread in that vein, though.

With chewing gum, maybe.

More photos will be added as the piece changes and is worked on.

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